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Lavish Indaco

#2b5ecd
Notes

Lavish Indaco (#2B5ECD) is a true azure with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (221°, 65%, 49%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#2b5ecd
RGB
rgb(43, 94, 205)
HSL
hsl(221, 65%, 49%)
HWB
hwb(221 17% 20%)
OKLCH
oklch(51.4% 0.181 263.0)
HSV
hsv(221, 79%, 80%)
LAB
lab(42.65% 23.36 -62.30)
LCH
lch(42.65% 66.53 290.55)
CMYK
cmyk(79%, 54%, 0%, 20%)

Etymology

Lavish
adjective

Old French lavasse, downpour — sharing root with laver (to wash). As a color modifier, lavish implies a saturated-and-extravagant quality where the hue spills over its visual boundaries with luxurious pigmentation. Sits at the bold-and-saturated end of the grid, parallel to opulent and sumptuous in usage.

Indaco
noun

The Italian word for indigo — borrowed via Greek indikon (Indian thing). Indaco in Italian art vocabulary refers specifically to the deep-blue plant-dye pigment used in Italian Renaissance painting for the Marian mantles and aristocratic dress. The color refers to indaco pigment in tempera: a saturated, slightly cool deep blue. The Italian cousin of indigo.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#2b5ecd
Original
#006cd1
Protanopia
#005ecb
Deuteranopia
#00798c
Tritanopia
#5b5b5b
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.86:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.59:1

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