Tenebrous Vienna
Tenebrous Vienna (#2B359B) is a true blue with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (235°, 57%, 39%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Latin tenebrōsus, full of darkness — derived from tenebrae (the deepening shadows of evening prayer service). As a color modifier, tenebrous implies a literary-poetic register for deep-shadowed darkness, where the hue is overwhelmed by ambient gloom. Sits at the deep-and-cool end of the grid, near Stygian but with painterly-baroque connotations.
Austro-Hungarian imperial capital — and the Wiener Werkstätte color tradition of deep-violet Sezession secessionist textiles in the early 20th century. Vienna color refers to a Hoffmann-designed Wiener Werkstätte embroidered cushion cover (1903–1932): a saturated, slightly cool deep blue-violet with the matte finish of vat-dyed worsted wool. Cooler than the Wittgenstein family's pre-war Vienna interior aubergines.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.