Sunken Pasqueflower
Sunken Pasqueflower (#2A2D87) is a true blue with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (238°, 53%, 35%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
The past participle of sink — used as a color modifier since the eighteenth century for surfaces that read as receded or enclosed. Sunken implies a slightly cool darkness with the optical quality of a recessed plane: the sunken eye sockets of a sculpture, the depressed channels of an Anglo-Saxon enamel. Sits in the deep-and-cool corner, closer to shadowed than to brooding.
Eurasian Pulsatilla vulgaris — Easter flower in Old English from its mid-spring Pasch / pascha (Easter) blooming season across European chalk grassland. Pasqueflower color refers to a fully opened Pulsatilla vulgaris sepal-cup: a saturated, slightly cool deep blue-violet with the silky finish of long-haired sepals around a yellow-stamened center. The plant is the floral emblem of South Dakota.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.