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Etched Shawl Lagoon

#289ebe
Notes

Etched Shawl Lagoon (#289EBE) is a true cyan with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (193°, 65%, 45%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#289ebe
RGB
rgb(40, 158, 190)
HSL
hsl(193, 65%, 45%)
HWB
hwb(193 16% 25%)
OKLCH
oklch(65.1% 0.109 221.0)
P3
color(display-p3 0.3097 0.6108 0.7314)
HSV
hsv(193, 79%, 75%)
LAB
lab(60.44% -20.69 -25.57)
LCH
lch(60.44% 32.90 231.02)
CMYK
cmyk(79%, 17%, 0%, 25%)

Etymology

Etched
adjective

German ätzen, to etch — past-participle of etch. As a color modifier, etched implies a clear-and-precisely-incised quality, the crisp color of Rembrandt-and-Dürer hand-pulled etching-print fine-line incised-image. Sits at the crisp-and-incised end of the grid, parallel to engraved and inscribed in usage.

Shawl
modifier

Persian shāl, long-folded-wrap. As a color modifier, shawl implies a Persian-Kashmiri-and-paisley-folded-wrap quality, the visual register of Persian-Kashmiri-and-paisley-shawl hand-Persian-Kashmiri-and-paisley-folded-wrap Persian-Kashmiri-and-paisley-shawl-and-Norwich-and-Paisley-loom shawl-and-Persian-Kashmiri-and-paisley-folded-wrap surfaces under Persian-Kashmiri-and-paisley-shawl-and-Norwich-and-Paisley-loom Mughal-Kashmir-and-Norwich-and-Paisley-loom paisley-shawl-light. Sits at the modifier-and-textile end of the grid, parallel to stole and sash in usage.

Lagoon
noun

A shallow body of saltwater partially or fully enclosed by a barrier — coral atoll lagoons in the Pacific, Venice's Laguna Veneta, the Florida Keys' backcountry. The color refers to the average reflectance of a calm tropical lagoon at midday: a saturated, slightly muted blue-green with the optical clarity of shallow water over white sand. Brighter than reef, cooler than aquamarine, with the postcard weight of a Pacific atoll seen from above.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#289ebe
Original
#8b9ac0
Protanopia
#778cbe
Deuteranopia
#00a8a8
Tritanopia
#878787
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.12:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.72:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##289EBE
Display P3
Display P3
color(display-p3 0.3097 0.6108 0.7314)
P3 has subtle headroomOKLCH chroma 0.109

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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