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Plutonian Sparta Ultramarine

#232f8a
Notes

Plutonian Sparta Ultramarine (#232F8A) is a deep blue with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (233°, 60%, 34%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#232f8a
RGB
rgb(35, 47, 138)
HSL
hsl(233, 60%, 34%)
HWB
hwb(233 14% 46%)
OKLCH
oklch(36.0% 0.150 270.8)
P3
color(display-p3 0.1468 0.1830 0.5208)
HSV
hsv(233, 75%, 54%)
LAB
lab(24.40% 28.16 -52.03)
LCH
lch(24.40% 59.16 298.43)
CMYK
cmyk(75%, 66%, 0%, 46%)

Etymology

Plutonian
adjective

From Pluto, the Roman god of the underworld (Greek Plouton). As a color modifier, plutonian implies the cool deep darkness of the underworld realms, with literary-classical register. Sits at the deep-and-cool end of the grid, parallel to Hadean and cooler than infernal.

Sparta
modifier

Greek Σπάρτη, Sparta. As a color modifier, sparta implies a Lacedaemonian-and-warrior-city-state quality, the visual register of Spartan-Lacedaemonian-City-State hand-built bronze-armor-and-crimson-tunic-and-stone-temple Doric-warrior-state surfaces under Lacedaemonian-Sparta-and-Eurotas-Valley Doric-warrior-state Greek-Peloponnese light. Sits at the modifier-and-cultural end of the grid, parallel to athens and roman in usage.

Ultramarine
noun

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#232f8a
Original
#003f8d
Protanopia
#003588
Deuteranopia
#004758
Tritanopia
#333333
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
11.38:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
1.85:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##232F8A
Display P3
Display P3
color(display-p3 0.1468 0.1830 0.5208)
P3 has subtle headroomOKLCH chroma 0.150

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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