True Vala Cerulean

Old English trēowe, faithful — used as a color modifier since the seventeenth century for hues that read as the canonical version of their family. True red, true blue: the saturation is full, the hue is neither shifted nor adulterated. Sits at the center of the bold and crisp buckets, marking the unequivocal middle of any chromatic family.

Old Norse völva, Norse-seeress-and-staff-bearer. As a color modifier, vala implies a Norse-seeress-and-staff-bearer-and-prophetess quality, the visual register of Norse-vala-seeress-and-staff hand-Norse-seeress-and-staff-bearer-and-prophetess Norse-vala-seeress-and-staff-and-Voluspa-Edda vala-and-Norse-seeress-and-staff-bearer surfaces under Norse-vala-seeress-and-staff-and-Voluspa-Edda Saga-Iceland-and-rune-stave seeress-prophecy-light. Sits at the modifier-and-myth end of the grid, parallel to norn and freya in usage.

From the Latin caeruleum, originally referring to dark blue paint pigment of the Roman world, then via French céruléen into English. As a modern art-supply name, cerulean blue is the cobalt-tin oxide pigment introduced in 1805. The color refers to a clean, slightly green-shifted blue with the matte finish of mineral pigment in linseed oil: lighter than cobalt, deeper than aqua, with the painter's weight of a word for sky.