Voluptuous Helix Ultramarine

Latin voluptuōsus, pleasurable — derived from voluptās (pleasure). As a color modifier, voluptuous implies a saturated-and-rich-and-curving-sensual quality, the deep-rich color of Rubens-and-Boucher baroque-and-rococo flesh-and-fabric tonality. Sits at the bold-and-saturated end of the grid, parallel to lush and plush in tone.

Greek ἕλιξ, spiral-or-coil. As a color modifier, helix implies a planetary-nebula-and-spiraling-coil quality, the visual register of Helix-Nebula-and-Eye-of-God hand-planetary-nebula-and-spiraling-coil Helix-Nebula-and-Eye-of-God-and-NGC-7293 helix-and-planetary-nebula-and-spiraling-coil surfaces under Helix-Nebula-and-Eye-of-God-and-NGC-7293 Aquarius-and-Hubble-deep-field planetary-nebula-light. Sits at the modifier-and-cosmic end of the grid, parallel to nebula and corona in usage.

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.