Smooth Wood Kingfisher
Smooth Wood Kingfisher (#21A3BB) is a true cyan with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (189°, 70%, 43%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Old English smōþ, level, polished — used as a color modifier since the seventeenth century for hues that read as continuous without texture or break. Smooth tan, smooth gray: moderate saturation combined with optical evenness. Sits in the crisp-bucket alongside even.
Old English wudu, forest. As a color modifier, wood implies a deciduous-canopy-and-litter quality, the visual register of English-and-Welsh oak-and-beech mixed-deciduous forest leaf-litter-and-canopy hand-walked path surfaces in dappled-deciduous-broadleaf-canopy filtered-light. Sits at the modifier-and-place end of the grid, parallel to copse and grove in usage.
The family Alcedinidae — particularly Alcedo atthis, the European common kingfisher whose iridescent turquoise-blue plumage gives the color its name. The color refers to a male European kingfisher's wing: a saturated, slightly cool deep blue-green with the iridescent satin finish of structurally colored feathers.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.