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Lavish Strand Cerulean

#218ed4
Notes

Lavish Strand Cerulean (#218ED4) is a true azure with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (203°, 73%, 48%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary orange. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#218ed4
RGB
rgb(33, 142, 212)
HSL
hsl(203, 73%, 48%)
HWB
hwb(203 13% 17%)
OKLCH
oklch(62.2% 0.140 243.4)
P3
color(display-p3 0.2729 0.5488 0.8091)
HSV
hsv(203, 84%, 83%)
LAB
lab(56.51% -4.70 -44.10)
LCH
lch(56.51% 44.35 263.92)
CMYK
cmyk(84%, 33%, 0%, 17%)

Etymology

Lavish
adjective

Old French lavasse, downpour — sharing root with laver (to wash). As a color modifier, lavish implies a saturated-and-extravagant quality where the hue spills over its visual boundaries with luxurious pigmentation. Sits at the bold-and-saturated end of the grid, parallel to opulent and sumptuous in usage.

Strand
modifier

Old English strand, shore / beach. As a color modifier, strand implies a London-Thames-bank-and-Anglo-Saxon-shore quality, the visual register of London-Strand-and-North-Sea-coast tidal-shore-and-river-bank embankment-and-walking-promenade surfaces under London-Strand-and-North-Sea-coast tidal-edge atmospheric light. Sits at the modifier-and-place end of the grid, parallel to shore and coast in usage.

Cerulean
noun

From the Latin caeruleum, originally referring to dark blue paint pigment of the Roman world, then via French céruléen into English. As a modern art-supply name, cerulean blue is the cobalt-tin oxide pigment introduced in 1805. The color refers to a clean, slightly green-shifted blue with the matte finish of mineral pigment in linseed oil: lighter than cobalt, deeper than aqua, with the painter's weight of a word for sky.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#218ed4
Original
#6d90d7
Protanopia
#5480d3
Deuteranopia
#009fa7
Tritanopia
#7c7c7c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.57:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.88:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##218ED4
Display P3
Display P3
color(display-p3 0.2729 0.5488 0.8091)
P3 has subtle headroomOKLCH chroma 0.140

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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