Resolute Cyan
Resolute Cyan (#1F5BB3) is a true azure with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (216°, 70%, 41%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
From the Latin resolutus, unwavering — used as a color modifier in literary contexts for hues that read as committed and unmoving. Resolute blue, resolute green: the saturation is full, the hue holds its position without shifting under different light. Sits in the bold-bucket center alongside strong and true, with slightly more focus on stability than presence.
From the Greek kyanos, deep blue, originally referring to the lapis-derived blue of antiquity. In modern usage, cyan is one of the four printing primaries (with magenta, yellow, and black) and an additive primary on screens. The color refers to a pure CMYK cyan tile: a saturated, clean blue-green with the optical brightness of an additive-color primary. Cooler than turquoise, lighter than cerulean, with the technical specificity of a color defined by a printing-press standard.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.