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Luminous Drear Kelly

#1ead2a
Notes

Luminous Drear Kelly (#1EAD2A) is a true green with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (125°, 70%, 40%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary violet. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#1ead2a
RGB
rgb(30, 173, 42)
HSL
hsl(125, 70%, 40%)
HWB
hwb(125 12% 32%)
OKLCH
oklch(65.2% 0.203 143.6)
HSV
hsv(125, 83%, 68%)
LAB
lab(61.94% -60.46 53.47)
LCH
lch(61.94% 80.71 138.51)
CMYK
cmyk(83%, 0%, 76%, 32%)

Etymology

Luminous
adjective

Latin lūminōsus, full of light — adjectival suffix -ous, derived from lūmen (light). As a color modifier, luminous implies a saturated-and-light-emitting quality where the hue carries internal-glow visual register. Sits at the bright-and-saturated end of the grid, parallel to radiant and resplendent in usage.

Drear
modifier

Old English drēor, gore-and-sorrow. As a color modifier, drear implies a bleak-and-cheerless-and-sorrowful quality, the visual register of Brontë-moorland-and-Hardy-heath-drear hand-bleak-and-cheerless-and-sorrowful Brontë-moorland-and-Hardy-heath-and-Wuthering drear-and-bleak-and-cheerless-and-sorrowful surfaces under Brontë-moorland-and-Hardy-heath-and-Wuthering rain-swept-and-low-cloud-and-empty-vista Yorkshire-and-Wessex-light. Sits at the modifier-and-mood end of the grid, parallel to bleak and gloom in usage.

Kelly
noun

A bright yellow-green named for the Irish surname Kelly, common enough by the late nineteenth century to stand in for generic Irish in American slang. The color is the saturated, optically bright green of a Saint Patrick's Day parade: cleaner than shamrock, brighter than fern, with the pop-culture weight of a color used annually for green beer, green carnations, and the Chicago River.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

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Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#1ead2a
Original
#b19c0d
Protanopia
#a29238
Deuteranopia
#00a894
Tritanopia
#858585
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.97:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
7.07:1

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