Engraved Fur Verdigris

Old French engraver, to dig in — past-participle of engrave. As a color modifier, engraved implies a clear-and-precisely-cut quality, the crisp color of Albrecht-Dürer-and-Hogarth hand-pulled engraving-print fine-line incised-image. Sits at the crisp-and-incised end of the grid, parallel to etched and inscribed in usage.

Old French forrer, to-line-with-fur. As a color modifier, fur implies a soft-pelt-and-mammal-coat quality, the visual register of Russian-and-Canadian-fur hand-trapped-and-prepared mink-and-sable-and-fox Russian-and-Canadian-fur-coat-and-trim surfaces under Russian-and-Canadian hand-trapped-fur-coat-and-trim atelier light. Sits at the modifier-and-texture end of the grid, parallel to pelt and fluff in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.