Lined Cornflower
Lined Cornflower (#1E76B6) is a true azure with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (205°, 72%, 42%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary orange. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Old English līne, line / cord — past-participle of line. As a color modifier, lined implies a clear-and-coordinated-and-supported quality where the hue carries the visual register of carefully-lined-and-supported textile-or-print surface. Sits at the crisp-and-finished end of the grid, parallel to trim and coordinated in usage.
Centaurea cyanus, the small wild blue flower of European cereal fields — once a weed of wheat agriculture, now nearly extinct in the wild after a century of herbicides. The color refers to a fully open cornflower in summer: a saturated, slightly violet-shifted blue with the spiky daisy structure of the Asteraceae. Cooler than periwinkle, warmer than cobalt, with the agricultural weight of a flower whose name is a synonym for blue in the Slavic and German textile trade.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.