Heavy Pollux Royal

Old English hefig, weighty — cognate with heave. Used as a color modifier since at least the seventeenth century to indicate weight in saturation as much as value: heavy with pigment, heavy-bodied. In the engine's adjective grid, heavy sits alongside deep and plush in the dark-and-saturated quadrant. Closer to a fabric description than a pure value word.

Greek Πολυδεύκης, Gemini-twin-and-immortal-boxer. As a color modifier, pollux implies a Gemini-twin-and-immortal-brother quality, the visual register of Gemini-Pollux-and-Castor-twin hand-Gemini-twin-and-immortal-brother Gemini-Pollux-and-Castor-twin-and-Argonaut pollux-and-Gemini-twin-and-immortal-brother surfaces under Gemini-Pollux-and-Castor-twin-and-Argonaut spring-Gemini-and-Bortle-1-sky stellar-twin-light. Sits at the modifier-and-cosmic end of the grid, parallel to castor and spica in usage.

The blue of European royal court dress and regalia from the late seventeenth century forward — the color of British peers' robes, French royal sashes, the lining of the crown-jewel cases. The color refers to a saturated, slightly violet-shifted blue with the matte finish of velvet or melton wool dyed to maximum intensity: deeper than cornflower, warmer than ultramarine, with the heraldic weight of a color reserved for monarchs and the official Crown.