Electrifying Wood Eucalyptus
Electrifying Wood Eucalyptus (#1BD5A1) is a true teal with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (163°, 78%, 47%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Greek ēléktron, amber — present-participle of electrify, named after the static-electricity property of rubbed amber. As a color modifier, electrifying implies a saturated-and-shocking-and-active quality, the bright color of Tesla-coil high-voltage atmospheric-discharge emission. Sits at the bright-and-active end of the grid, parallel to charged and neon in usage.
Old English wudu, forest. As a color modifier, wood implies a deciduous-canopy-and-litter quality, the visual register of English-and-Welsh oak-and-beech mixed-deciduous forest leaf-litter-and-canopy hand-walked path surfaces in dappled-deciduous-broadleaf-canopy filtered-light. Sits at the modifier-and-place end of the grid, parallel to copse and grove in usage.
The genus Eucalyptus, the gum trees that dominate the Australian forest canopy and have been planted across the world for fast-growth timber and the menthol-camphor oil. The color refers to mature eucalyptus leaves with their pale waxy bloom: a soft, slightly muted blue-green with the matte finish of cuticle that reflects more light than typical foliage. Cooler than sage, warmer than mint.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.