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Live Stole Turquoise

#17e4d7
Notes

Live Stole Turquoise (#17E4D7) is a true cyan with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (176°, 82%, 49%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#17e4d7
RGB
rgb(23, 228, 215)
HSL
hsl(176, 82%, 49%)
HWB
hwb(176 9% 11%)
OKLCH
oklch(82.9% 0.142 187.4)
P3
color(display-p3 0.4166 0.8810 0.8407)
HSV
hsv(176, 90%, 89%)
LAB
lab(82.15% -47.24 -6.50)
LCH
lch(82.15% 47.69 187.83)
CMYK
cmyk(90%, 0%, 6%, 11%)

Etymology

Live
adjective

Old English libban, to live — used as a color word since the nineteenth century for hues that read as active or animate. Live wire, live color: the implication is luminance combined with the optical impression of internal motion. Sits in the bright-bucket center alongside vivid and vibrant.

Stole
modifier

Latin stola, Roman-women's-and-priestly-robe. As a color modifier, stole implies a Roman-women's-and-priestly-robe quality, the visual register of Roman-stola-and-Catholic-priestly-stole hand-Roman-women's-and-priestly-robe Roman-stola-and-Catholic-priestly-stole-and-Anglican-tippet stole-and-Roman-women's-and-priestly-robe surfaces under Roman-stola-and-Catholic-priestly-stole-and-Anglican-tippet Republican-Rome-and-Catholic-Mass-and-Anglican-Vespers Roman-and-Mass-light. Sits at the modifier-and-textile end of the grid, parallel to cope and robe in usage.

Turquoise
noun

The hydrated copper-aluminum phosphate mined in Persia and the American Southwest for thousands of years — the firuze of Iran, the chalchihuitl of Mesoamerica, the heart of Pueblo and Navajo silverwork. The color refers to a fine Sleeping Beauty turquoise from Arizona: a saturated, slightly green-shifted blue with the slight matrix of host-rock veining. Brighter than persian, lighter than cerulean.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#17e4d7
Original
#d7d7d7
Protanopia
#bec5d9
Deuteranopia
#00eae0
Tritanopia
#b7b7b7
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.60:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
13.12:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##17E4D7
Display P3
Display P3
color(display-p3 0.4166 0.8810 0.8407)
P3 has subtle headroomOKLCH chroma 0.142

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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