Heavy Domus Cobalt

Old English hefig, weighty — cognate with heave. Used as a color modifier since at least the seventeenth century to indicate weight in saturation as much as value: heavy with pigment, heavy-bodied. In the engine's adjective grid, heavy sits alongside deep and plush in the dark-and-saturated quadrant. Closer to a fabric description than a pure value word.

Latin domus, house-or-home. As a color modifier, domus implies a Latin-house-and-Roman-domus-and-atrium quality, the visual register of Pompeian-domus-and-Roman-atrium hand-Latin-house-and-Roman-domus-and-atrium Pompeian-domus-and-Roman-atrium-and-impluvium domus-and-Latin-house surfaces under Pompeian-domus-and-Roman-atrium-and-impluvium Pompeian-and-Herculaneum-domus Roman-villa-light. Sits at the modifier-and-Latin end of the grid, parallel to arbor and via in usage.

Element Co, atomic number 27 — German Kobold, goblin, named by miners who found the metal interfered with smelting silver ore. Cobalt blue is the cobalt-aluminate pigment introduced by Louis Jacques Thénard in 1802: a saturated, slightly green-shifted deep blue with the matte finish of mineral pigment in oil. Cooler than ultramarine, warmer than prussian, with the painter's weight of a pigment used by Renoir, Van Gogh, and Cézanne.