Shielded Rosemary
Shielded Rosemary (#157108) is a deep green with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (113°, 87%, 24%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary violet. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Old English scild, shield — past-participle of shield, sharing root with German Schild. As a color modifier, shielded implies a saturated-and-protected-and-defensive quality, the deep-rich color of medieval-knight armorial-shield-and-coat-of-arms heraldic display. Sits at the bold-and-fortified end of the grid, parallel to armored and bastioned.
Salvia rosmarinus, the woody-stemmed Mediterranean shrub whose Latin name means dew of the sea for its preference for coastal habitat. The color refers to mature rosemary needles in summer: a deep, slightly muted green with the resinous finish of a leaf full of camphor and eucalyptol. Drabber than basil, warmer than thyme, with the kitchen-and-garden weight of a herb used for poultry, lamb, and remembrance.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.