colors
Back to gallery

Pressing Sumi

#140f45
Notes

Pressing Sumi (#140F45) is a deep blue with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (246°, 64%, 16%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#140f45
RGB
rgb(20, 15, 69)
HSL
hsl(246, 64%, 16%)
HWB
hwb(246 6% 73%)
OKLCH
oklch(21.9% 0.096 279.0)
P3
color(display-p3 0.0752 0.0596 0.2592)
HSV
hsv(246, 78%, 27%)
LAB
lab(8.31% 21.57 -33.02)
LCH
lch(8.31% 39.44 303.15)
CMYK
cmyk(71%, 78%, 0%, 73%)

Etymology

Pressing
adjective

Latin pressāre, to press repeatedly — present-participle of press. As a color modifier, pressing implies a deep-and-imposing-and-weighty quality where the hue exerts visual force on its substrate. Sits at the deep-and-weighty end of the grid, parallel to crushing with insistent register.

Sumi
noun

Japanese ink stick, made from soot of pine resin or sesame oil mixed with animal-glue binder, used in sumi-e brush painting and shodō calligraphy. Although nominally black, undiluted sumi on rice paper carries a deep blue-violet undertone. Sumi color refers to a heavily-loaded sumi brushstroke: a saturated, slightly cool deep blue-violet with the matte finish of pine-soot ink on absorbent washi.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#140f45
Original
#001a47
Protanopia
#001644
Deuteranopia
#001e28
Tritanopia
#141414
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
17.74:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
1.18:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##140F45
Display P3
Display P3
color(display-p3 0.0752 0.0596 0.2592)
P3 has subtle headroomOKLCH chroma 0.096

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas