Bulky Procyon Cerulean

Old Norse búlki, cargo / mass — adjectival suffix -y. As a color modifier, bulky implies a saturated-and-massive-and-occupying quality where the hue takes up visual space with broad-and-heavy presence. Sits at the bold-and-weighty end of the grid, parallel to hefty and substantial in usage.

Greek προκύων, before-the-dog. As a color modifier, procyon implies a Canis-Minor-and-bright-foretaste-of-Sirius quality, the visual register of Canis-Minor-Procyon-and-Winter-Triangle hand-Canis-Minor-and-bright-foretaste-of-Sirius Canis-Minor-Procyon-and-Winter-Triangle-and-Bortle-1-sky procyon-and-Canis-Minor-and-bright-foretaste surfaces under Canis-Minor-Procyon-and-Winter-Triangle-and-Bortle-1-sky January-and-February-winter-zenith winter-stellar-light. Sits at the modifier-and-cosmic end of the grid, parallel to rigel and altair in usage.

From the Latin caeruleum, originally referring to dark blue paint pigment of the Roman world, then via French céruléen into English. As a modern art-supply name, cerulean blue is the cobalt-tin oxide pigment introduced in 1805. The color refers to a clean, slightly green-shifted blue with the matte finish of mineral pigment in linseed oil: lighter than cobalt, deeper than aqua, with the painter's weight of a word for sky.