colors
Back to gallery

Eclipsed Tsuyukusa

#101b58
Notes

Eclipsed Tsuyukusa (#101B58) is a deep blue with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (231°, 69%, 20%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#101b58
RGB
rgb(16, 27, 88)
HSL
hsl(231, 69%, 20%)
HWB
hwb(231 6% 65%)
OKLCH
oklch(26.0% 0.110 269.1)
P3
color(display-p3 0.0719 0.1047 0.3314)
HSV
hsv(231, 82%, 35%)
LAB
lab(13.22% 20.05 -38.06)
LCH
lch(13.22% 43.02 297.78)
CMYK
cmyk(82%, 69%, 0%, 65%)

Etymology

Eclipsed
adjective

Greek ékleipsis, abandonment — past-participle of eclipse. As a color modifier, eclipsed implies the deep occulting darkness of a celestial-body-blocked light-source, where umbral-and-penumbral shadows fall on the hue. Sits at the deep-and-cool end of the grid, parallel to occluded with astronomical connotation.

Tsuyukusa
noun

Commelina communis, the Japanese dayflower — a wildflower whose deep blue flowers were used in the seventeenth century as a textile dye and aobana paper for yuzen dyeing patterns. Tsuyukusa-iro (露草色) refers to the saturated blue of fresh dayflower. The color refers to a fresh dayflower bloom: a saturated, slightly cool deep blue with the satin finish of three-petaled flower.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#101b58
Original
#00255a
Protanopia
#001f57
Deuteranopia
#002b36
Tritanopia
#1d1d1d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
15.91:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
1.32:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##101B58
Display P3
Display P3
color(display-p3 0.0719 0.1047 0.3314)
P3 has subtle headroomOKLCH chroma 0.110

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas