Drenched Onando
Drenched Onando (#0D2467) is a deep blue with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (225°, 78%, 23%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Old English drencan, to give to drink — past-participle of drench. As a color modifier, drenched implies a hue saturated to its visual maximum without dilution, the deep-and-soaked quality of cloth fully absorbed by dye. Sits at the deep-and-saturated end of the grid, where the color reads as fully bathed by pigment.
Japanese onando-iro (御納戸色) — honored storehouse color, the saturated grayed-blue of pre-modern Japanese clothing storehouse interiors. Traditional Edo-period onando was used in samurai household interiors and the linings of formal court dress. The color refers to a onando-painted Edo storehouse wall: a saturated, slightly cool deep blue-gray with the matte finish of weathered distemper paint.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.