Simple Tar
Simple Tar (#0A0322) is a deep indigo with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (254°, 84%, 7%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Latin simplus, single — sharing root with English single and simplex. As a color modifier, simple implies a neutral-and-uncomplicated-and-stripped-down quality where the hue carries the visual register of Shaker-and-Quaker-craft uncomplicated-and-honest hand-built-craft surface-finish. Sits at the neutral-and-stripped-down end of the grid, parallel to unassuming and modest in usage.
The viscous black liquid produced by distilling pine wood, coal, or peat — used since antiquity for waterproofing ship hulls, weatherproofing roofs, and treating skin conditions. The color refers to fresh pine tar: a deep, slightly muted black with the glossy finish of a viscous oil. Warmer than pitch, deeper than soot, with the maritime weight of a substance whose smell defined every harbor before petroleum.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.