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Senatorial Lone Ultramarine

#0943a9
Notes

Senatorial Lone Ultramarine (#0943A9) is a true azure with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (218°, 90%, 35%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#0943a9
RGB
rgb(9, 67, 169)
HSL
hsl(218, 90%, 35%)
HWB
hwb(218 4% 34%)
OKLCH
oklch(42.0% 0.173 261.3)
HSV
hsv(218, 95%, 66%)
LAB
lab(31.66% 24.79 -59.10)
LCH
lch(31.66% 64.09 292.76)
CMYK
cmyk(95%, 60%, 0%, 34%)

Etymology

Senatorial
adjective

Latin senātōrius, of the senator — adjectival suffix. As a color modifier, senatorial implies a saturated-and-aristocratic-and-Roman-Republic quality, the deep-rich color of Roman-Senate toga praetexta purple-bordered ceremonial-citizen-class livery. Sits at the bold-and-aristocratic end of the grid, parallel to patrician and imperial.

Lone
modifier

Middle English lone, shortened from alone. As a color modifier, lone implies a solitary-and-singular-and-isolated quality, the visual register of Caspar-David-Friedrich-Wanderer-and-lone-pine hand-solitary-and-singular-and-isolated Caspar-David-Friedrich-Wanderer-and-lone-pine-and-Romantic-vista loned-and-solitary-and-singular-and-isolated surfaces under Caspar-David-Friedrich-Wanderer-and-lone-pine-and-Romantic-vista mountaintop-and-empty-shore single-figure-light. Sits at the modifier-and-mood end of the grid, parallel to void and drear in usage.

Ultramarine
noun

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

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Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#0943a9
Original
#0052ac
Protanopia
#0044a7
Deuteranopia
#005d6f
Tritanopia
#3e3e3e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
8.80:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.39:1

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