Cavernous Tiānlán
Cavernous Tiānlán (#093447) is a deep cyan with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (198°, 78%, 16%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary orange. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
An adjectival form of cavern, used principally for the deep darkness of large enclosed spaces. As a color modifier, cavernous implies the slightly cool deep blacks of a Lascaux-style cave or a basilica crypt — darkness with the optical complexity of a space larger than any single light source can fill. Sits in the deep-and-spatial end of the grid.
Chinese for sky-blue — combining tiān (sky) and lán (blue). Used for the pale blue of clear-sky painting in Chinese landscape tradition and the tiānlán-cí (sky-blue glaze) of Song-dynasty porcelain. The color refers to a Song tiānlán glaze: a soft, slightly cool pale blue with the high gloss of fired ceramic glaze.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.