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Inviting Cloak Lagoon

#07bad5
Notes

Inviting Cloak Lagoon (#07BAD5) is a true cyan with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (188°, 94%, 43%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#07bad5
RGB
rgb(7, 186, 213)
HSL
hsl(188, 94%, 43%)
HWB
hwb(188 3% 16%)
OKLCH
oklch(72.5% 0.126 213.0)
P3
color(display-p3 0.3299 0.7185 0.8218)
HSV
hsv(188, 97%, 84%)
LAB
lab(69.44% -29.18 -24.55)
LCH
lch(69.44% 38.13 220.07)
CMYK
cmyk(97%, 13%, 0%, 16%)

Etymology

Inviting
adjective

Latin invītāre, to invite — present-participle of invite. As a color modifier, inviting implies a clear-and-cordial-and-encouraging quality where the hue carries the visual register of warm-inviting-and-encouraging entrance-foyer color tone. Sits at the crisp-and-cheerful end of the grid, parallel to welcoming and hospitable in usage.

Cloak
modifier

Old Northern French cloque, bell-or-cape. As a color modifier, cloak implies a heavy-shoulder-mantle-and-bell-shaped quality, the visual register of Anglo-Saxon-and-medieval-cloak hand-heavy-shoulder-mantle-and-bell-shaped Anglo-Saxon-and-medieval-cloak-and-pilgrim-cloak cloak-and-heavy-shoulder-mantle surfaces under Anglo-Saxon-and-medieval-cloak-and-pilgrim-cloak Canterbury-and-Compostela-pilgrimage wool-cloak-light. Sits at the modifier-and-textile end of the grid, parallel to cape and cowl in usage.

Lagoon
noun

A shallow body of saltwater partially or fully enclosed by a barrier — coral atoll lagoons in the Pacific, Venice's Laguna Veneta, the Florida Keys' backcountry. The color refers to the average reflectance of a calm tropical lagoon at midday: a saturated, slightly muted blue-green with the optical clarity of shallow water over white sand. Brighter than reef, cooler than aquamarine, with the postcard weight of a Pacific atoll seen from above.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#07bad5
Original
#a6b3d7
Protanopia
#8ea2d5
Deuteranopia
#00c4c2
Tritanopia
#969696
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.34:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
8.99:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##07BAD5
Display P3
Display P3
color(display-p3 0.3299 0.7185 0.8218)
P3 has subtle headroomOKLCH chroma 0.126

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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