Quiet Eclipse
Quiet Eclipse (#070525) is a deep blue with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (244°, 76%, 8%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Latin quietus, at rest — used as a color modifier since the medieval period for hues that read as restrained. Quiet pink, quiet blue: low saturation combined with optical calmness. Sits across the crisp and hushed buckets where the color is present but doesn't ask for attention.
The total occlusion of the sun by the moon — the brief event during which the sky goes from full daylight to deep blue-black in the four to seven minutes of totality. The color refers to the sky at the centerline of total eclipse: a deep, slightly violet-shifted near-black with the optical complexity of a sky still receiving the sun's corona. Cooler than midnight, warmer than vantablack, with the celestial weight of a phenomenon visible at any single location once every few centuries.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.