Manic Irish Jade

Greek manikós, raving / mad — sharing root with mania. As a color modifier, manic implies a saturated-and-overstimulated-and-extreme quality, the bright color of Andy-Warhol-and-Pop-Art late-Pop-Art repeated-and-multiplied portrait color schemes. Sits at the bright-and-active end of the grid, parallel to hyper and frenetic in usage.

Old English Irisc, of-Ireland. As a color modifier, irish implies a Hibernian-and-peat quality, the visual register of Irish-Hibernian hand-built peat-and-stone-and-thatched cottage-and-pasture-and-bog surfaces under Hibernian-and-West-of-Ireland peat-bog-and-cottage atmospheric light. Sits at the modifier-and-cultural end of the grid, parallel to welsh and celtic in usage.

Two minerals share the name: nephrite (a calcium-magnesium silicate, dominant in Chinese jade) and jadeite (a sodium-aluminum silicate, dominant in Burmese imperial jade). Both have been carved in China since at least the Neolithic. The color refers to high-quality apple-green jadeite: a saturated, slightly muted yellow-green with the waxy translucency of polished stone. Cooler than apple, warmer than mint, with the millennial cultural weight of yu, the stone of heaven.