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Victorious Cloak Cerulean

#068bd1
Notes

Victorious Cloak Cerulean (#068BD1) is a true azure with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (201°, 94%, 42%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary orange. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#068bd1
RGB
rgb(6, 139, 209)
HSL
hsl(201, 94%, 42%)
HWB
hwb(201 2% 18%)
OKLCH
oklch(61.0% 0.144 242.0)
P3
color(display-p3 0.2410 0.5368 0.7973)
HSV
hsv(201, 97%, 82%)
LAB
lab(55.18% -5.44 -44.52)
LCH
lch(55.18% 44.86 263.03)
CMYK
cmyk(97%, 33%, 0%, 18%)

Etymology

Victorious
adjective

Latin victōriōsus, of victory — derived from victor (winner). As a color modifier, victorious implies a saturated-and-celebratory-and-conquering quality, the deep-rich color of Roman-Imperial victory-procession purpura-dyed paludamentum cloak. Sits at the bold-and-celebratory end of the grid, parallel to triumphant and conquering.

Cloak
modifier

Old Northern French cloque, bell-or-cape. As a color modifier, cloak implies a heavy-shoulder-mantle-and-bell-shaped quality, the visual register of Anglo-Saxon-and-medieval-cloak hand-heavy-shoulder-mantle-and-bell-shaped Anglo-Saxon-and-medieval-cloak-and-pilgrim-cloak cloak-and-heavy-shoulder-mantle surfaces under Anglo-Saxon-and-medieval-cloak-and-pilgrim-cloak Canterbury-and-Compostela-pilgrimage wool-cloak-light. Sits at the modifier-and-textile end of the grid, parallel to cape and cowl in usage.

Cerulean
noun

From the Latin caeruleum, originally referring to dark blue paint pigment of the Roman world, then via French céruléen into English. As a modern art-supply name, cerulean blue is the cobalt-tin oxide pigment introduced in 1805. The color refers to a clean, slightly green-shifted blue with the matte finish of mineral pigment in linseed oil: lighter than cobalt, deeper than aqua, with the painter's weight of a word for sky.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#068bd1
Original
#698dd4
Protanopia
#4f7dd0
Deuteranopia
#009ca4
Tritanopia
#747474
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.74:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.62:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##068BD1
Display P3
Display P3
color(display-p3 0.2410 0.5368 0.7973)
P3 has subtle headroomOKLCH chroma 0.144

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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