Crepuscular Spruce
Crepuscular Spruce (#062D0A) is a deep green with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (126°, 76%, 10%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary violet. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Latin crepusculāris, of twilight — derived from crepusculum (twilight). As a color modifier, crepuscular implies the deep blue-violet darkness of civil-twilight period between sunset and nightfall. Sits at the deep-and-cool end of the grid, where the hue carries the Belt of Venus atmospheric-scattering quality of clear-sky horizon at dusk.
The genus Picea, the spruces of the boreal and montane forests — Sitka, Norway, blue, white, black — the conifer that frames timberline across the northern hemisphere. The color refers to fresh spruce needles: a deep, slightly blue-shifted green with the matte finish of resin-coated foliage. Cooler than fern, warmer than teal, with the resinous cold-air association of a high-altitude or high-latitude evergreen.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.