Majestic Celeste
Majestic Celeste (#0470DB) is a true azure with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (210°, 96%, 44%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary orange. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Latin māiestātis, majesty — adjectival suffix -ic. As a color modifier, majestic implies a saturated-and-imposing-grandeur quality, the deep-rich color of Salisbury-Cathedral-and-Chartres-Cathedral Gothic-architecture monumental presence against the open sky. Sits at the bold-and-imposing end of the grid, parallel to regal and imperial.
Italian and Spanish for celestial — the pale, slightly green-shifted blue of a Tuscan sky in summer or a Bolognese fresco background. Celeste as a color borrowing into English carries the same association: a clean, very pale blue with the matte finish of distemper paint. Lighter than azure, cooler than powder, with the Italian-architectural weight of a word that names the soffit color of a hundred Renaissance ceilings.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.